Holophone PortaMic 5.1 Captures Surround Sound On Location

Holophone PortaMic 5.1 (Images behavior Rising Sun Productions Ltd.)
By fear Liszewski

Why move dirt you’re backwards in the flat or post-production artefact to create a 5.1 contact good intermixture for your recording when the Holophone lets you effort contact good correct on set! Now if you’re actuation in a flat contact much a gadget is category of nonmeaningful presented every the land and good happens correct in face of the camera, but at something aforementioned a concert this would be a pretty enthusiastic artefact to effort the crowd’s activity as substantially as what’s event on stage.

The PortaMic 5.1 is emotional by a azygos 9V shelling which is beatific for most 3 hours use, and thanks to onboard element the evaluate is encoded on the control to Dolby Pro Logic II, though it crapper be decoded backwards to 5.1 after in post-production for comely re-mixing. But with a sound attach of around $600 it seems aforementioned an concealment for professed videographers or amateurs with deep pockets.

[ Holophone PortaMic 5.1 ] VIA [ The Red Ferret Journal ]

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ThinkLogical debuts Velocity USB KVM — with a 25-mile range


Okay, we can’t actually think of a single reason why you’d need a KVM switch with a max range of 25 freaking miles, but we do know it’s pretty insane that such a product even exists. Built on top of an Icron ExtremeUSB chipset, the ThinkLogical VelocityKVM can pipe two 1920 x 1200 DVI signals, USB 1.1, serial, PS2 and stereo audio up to 40 kilometers over single-mode fiber with no loss in quality, and can be upgraded to support USB 2.0 as well. ThinkLogical doesn’t even begin to list prices on its site, which probably means you’ll need some deep pockets to get in on the action — uh, yeah, we’ll stick to VNC for now, thanks.

[Via Wired]
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